Scholarly Publications

BOOKS & CHAPTERS

(in progress)
Louisa Chase Prints: A Catalogue Raisonné.

(in progress)
chapter: Defining Virtual Stewardship: A Matrix for Online Exhibition Strategy and Practice, for the publication Creating Digital Exhibitions: A Guide. Edited by Zida Wang and Morgan Joseph Hamilton. New York: Rowman & Littlefield, expected 2025.

The Preparator’s Handbook: A Practical Guide for the Preparation and Installation of Collection Objects. New York: Rowman & Littlefield, 2022.

PEER REVIEWED JOURNAL ARTICLES

(under review)
“Rediscovering Rockwell: The Drawings that Shaped the American Storyteller”

“The Pedagogy of Process,” Journal of the Print World. vol. 41, #2 (April 2018) pp. 14, 17. Print.

“Defenders of the Floating World”, Art In Print, Volume 4 Number 4, February 2014. 30-32. Print. http://artinprint.org/article/defenders-of-the-floating-world/#more-4682

EXHIBITION CATALOGS

Saluti. Painting in Clay: The Fired Landscapes of Margie Hughto. Syracuse University Art Galleries, 2015.

Saluti. Print Making Revolution: Mexican Prints from the Taller de Grafica Popular. Syracuse University Art Galleries, 2014.

Saluti. Pressing Print: Universal Limited Art Editions 2000–2010. Syracuse University Art Galleries, 2012.

“Louisa Chase Prints”in Louisa Chase: What Lies Beneath, Curated by Christine Carter, Leepa-Rattner Museum of Art, St. Petersburg College, 2020. St Petersburg, FL.

CURATORIAL ESSAYS

“Now, here” in Force Field: Louisa Chase. Curated by Ted Holland, Hirschl and Adler Modern, 2019. New York City, NY.

“Printmaking: The Medium of Change,” Transformación: Posters from Taller Arte Del Nuevo Amanecer. Community Folk Art Center, 2018. Syracuse, NY.

“The Impression of Memory: Printmaking and the Process of Shared Experience” in Trigger Points. Co-curated with Heather Galbraith, Ph.D. Wellington, New Zealand: Massey University, Aotearoa New Zealand, 2016. pp. 14-21. Print.

REFEREED CONFERENCE PAPERS

2024

[Re]Defining Virtual Stewardship: A Matrix for Online Exhibition Strategy and Practice. Association for Critical Heritage Studies [ACHS] biennial international conference, June 3—6, Galway, Ireland.

2022

We Don’t Know What Collections Cost: Let’s Find Out. American Association for State and Local History [AASLH] annual conference, September 14, Buffalo, NY. Co-presented with Erin Richardson, Ph.D., Frank & Glory, Cooperstown, NY, and John Garrison Marks, American Association for State and Local History, Nashville, TN.

Calculating the Cost of Museum Collections. New England Museum Association Annual Conference, November 2—4, Springfield, MA. Co-presented with Erin Richardson, Ph.D., Frank & Glory, Cooperstown, NY.

2019

Redefining Universal Design for Museums in the 21st Century: Pedagogy and Practice. ICME session, “Diversity and Universality.” International Council of Museums (ICOM) Conference, Kyoto, Japan.

Extraordinary Standards: Case Studies of Proactive and Reactive Non-traditional Museum Studies Curriculum. Association of Academic Museums and Galleries National Conference, June 2019, Minneapolis, MN

2018

Natural enemies or natural allies? A Test Case for Archivist-Curator-Collaboration. Co-presented with Sebastian Modrow, Ph.D.MARAC (Mid Atlantic Regional Archivists Conference). Spring 2018 Conference, Hershey, PA.

Training Tomorrow’s Leaders: Opportunities for Collaboration and Innovation in Higher Education. Museum Association of New York Annual Conference. April 8–10. 2018, Rochester, NY

Rediscovering Rockwell: Finding the Lost Drawings that Shaped the Preeminent American Illustrator. Popular Culture Association National Conference. March 28–31, 2018, Indianapolis, IN

2017

Politics on Paper: Exploring the Marriage of Art, Activism and Printmaking, Popular Culture Association/American Culture Association Annual Conference: San Diego, CA