EDUCATION
2009 Master of Arts (MA), Museum Studies.
Syracuse University, College of Visual and Performing Arts
2002 Master of Fine Arts (MFA), Studio Arts (Printmaking).
Louisiana State University, Baton Rouge, LA.
1999 Bachelor of Fine Arts (BFA), Printmaking.
Syracuse University, College of Visual and Performing Arts
ACADEMIC APPOINTMENTS
2023—Current
Associate Professor, Graduate Program in Museum Studies
School of Design, College of Visual and Performing Arts, Syracuse University.
2018—Current
Program Coordinator, Graduate Program in Museum Studies
School of Design, College of Visual and Performing Arts, Syracuse University.
2019—2024
Coordinator, Museum Studies Undergraduate Minor
School of Design, College of Visual and Performing Arts, Syracuse University.
2017—2023
Assistant Professor, Graduate Program in Museum Studies
School of Design, College of Visual and Performing Arts, Syracuse University.
2009—2017
Part-Time Faculty, Graduate Program in Museum Studies
School of Design, College of Visual and Performing Arts, Syracuse University.
2002—2009
Part-Time Faculty, Department of Foundation
School of Art, College of Visual and Performing Arts, Syracuse University.
2002—2003
Adjunct Faculty, Studio Arts Department
Cazenovia College, Cazenovia, NY.
2000—2002
Adjunct Faculty, School of Art
Louisiana State University, Baton Rouge, LA.
PROFESSIONAL EXPERIENCE
2016–2017
Chief Curator of Exhibitions, Programs, and Education
Special Collections Research Center, Syracuse University Libraries, Syracuse, NY.
2010–2016
Assistant Director of Museum Operations
Syracuse University Art Galleries, Syracuse, NY.
2006–2010
Exhibition Designer and Installer, Syracuse University Art Galleries, Syracuse, NY.
2003–2006
Preparator, Syracuse University Art Collection, Syracuse, NY.
2000–2002
Gallery Technician, Foster Hall Gallery, Louisiana State University, Baton Rouge, LA.
PROFESSIONAL SERVICE
2024
Chair, Tenure & Promotion Committee, School of Design, Syracuse University.
Search Committee, Executive Director, Museum Association of New York.
2023–Current
Board Member, elected. Museum Association of New York, CNY region.
Board Member, Stone Quarry Hill Art Park, Cazenovia, NY.
2023
Search Committee, Executive Director and Chief Curator, Syracuse University Art Museum.
2022–Current
Board member, LightWork
2021—2023
Vice President of the Board of Trustees, Seward House Museum,
elected 2021.
2021
Chair, Alfred Barr Jr. Awards of Excellence in Museum Publication selection committee, College Art Association.
Founding Board Member, West Lake Art Conservation Center, Skaneateles, NY.
Search Committee, Chief Campus Safety and Emergency Services, Syracuse University.
2020
Chair, Alfred Barr Jr. Awards of Excellence in Museum Publication selection committee, College Art Association.
2020—2023
Collections Committee, Hilltop House, Stone Hill Quarry Art Park, Cazenovia, NY.
2020
Juror, Scholastic Art Awards, CNY Region. Design & Printmaking.
2019
Academic Capstone Advisor (Independent), Marissa Acey, Marist College.
Alfred Barr Jr. Publication Awards Committee, College Art Association.
Juror, Scholastic Art Awards, CNY Region. Drawing & Painting.
2018
Executive Director Search Committee, Stone Quarry Hill Art Park, Cazenovia, NY.
Consultant, Arthur Dove Historical Society, Geneva, NY.
2018—Current
Syracuse University Senate, Member at Large, College of Visual and Performing Arts, elected.
Chair, Administrative Operations Committee, Fall 2018–Spring 2022.
2017—Current
Board Member, Seward House and Museum, Auburn, NY.
Chair, Collections and Facilities Committee.
Development Committee, Governance Committee.
2017
Chair, Brighten, Beautify, and Brand [BBB] the Libraries Committee,
Syracuse University Libraries, Syracuse, NY.
2015
Wynn Newhouse Awards Selection Committee.
2015—2018
Board Member, elected. Museum Association of New York, CNY region.
2008
Juror, Print Club of Rochester Annual Members Exhibition.
2000—2002
Board Member, Southern Graphics Council International, elected, student representative
ACADEMIC AWARDS
2024 Continuum Prize for Interdisciplinary Design & Innovation in Education.
Awarded to “the most deserving faculty member in interdisciplinary design education in the College of Visual and Performing Arts,” Syracuse University.
CURATORIAL EXPERIENCE
The New Humanists: Introspective Impressions from the Syracuse University Art Collection
October 27, 2022 – January 8, 2023, Hearst Center for the Arts, Cedar Falls, IA
January 21 – March 27, 2016, J Wayne Stark Galleries, Texas A&M University, College Station, TX
August 20 – October 4, 2015, SUArt Galleries, Syracuse NY
Kamikaze Curiosity: Louisa Chase Prints, The Palitz Gallery, New York, NY
October 23, 2019 – January 20, 2020
Below the Surface: Louisa Chase, Parrish Art Museum, Watermill, NY
October 2018 – October 2019.
Goudy @ Syracuse: A Legacy by Design, Special Collections Research Center, Syracuse University Libraries, Syracuse, NY.
August 2017 – May 2018
Politics on Paper: Art with Agenda from the Syracuse University Art Collection
January 8 – March 28, 2019, Hoyt Art Center, New Castle, PA
February 2 – April 7, 2018, Las Cruces Museum of Art, Las Cruces, NM
September 26 – October 22, 2017, Tyler Art Gallery, SUNY Oswego, NY
August 18 – September 18, 2016, SUArt Galleries, Syracuse NY
Trigger Points
Co-curated with Heather Galbraith, Massey University, New Zealand
May 18 – June 30, 2016, The Palitz Gallery, New York, NY
Painting in Clay: The Fired Landscapes of Margie Hughto
November 23, 2015 – February 4, 2016, The Palitz Gallery, New York, NY
The Shadow of Industry: The Prints of Carol Wax
February 5, 2015 – March 15, 2015, SUArt Galleries, Syracuse NY
Making Their Mark: The Rise of the American Print Workshop
February 5, 2015 – May 10, 2015, SUArt Galleries, Syracuse NY
A History of the Future: The New Landscape of Climate Change
November 6, 2014 – January 29, 2015, The Palitz Gallery, New York, NY
CONCEAL/REVEAL: New Work from the Faculty of The College of Visual and Performing Arts
November 6, 2014 – January 18, 2015, SUArt Galleries, Syracuse NY
View from the Shore: Winslow Homer’s Impressions of the Coast
June 6 – August 15, 2014, Arkell Museum, Canojaharie, NY
Building the Collection: Recent Acquisitions to the Syracuse University Art Collection
April 3 – May 11, 2014, SUArt Galleries, Syracuse NY
The Way Out: MFA 2014
April 3 – May 11, 2014, SUArt Galleries, Syracuse NY
May 21 – May 25, 2014, Rogue Space Chelsea, New York, NY
Print Making Revolution: Mexican Prints and the Taller de Grafica Popular
November 7, 2013 – January 12, 2014, SUArt Galleries, Syracuse NY
Ukiyo-e to Shin Hanga: Japanese Woodcuts in the Syracuse University Art Collection
September 5 – December 1, 2019. Ellen Noel Art Museum, Odessa, TX
April 2 – May 18, 2019. Sordoni Art Gallery, Wilkes University, Wilkes, Barre, PA
November 3 – December 30, 2018. The Hyde Collection, Glen Falls, NY
May 24 – July 13, 2018. Hearst Center for the Arts in Cedar Falls, Iowa
March 28 – May 24, 2015. Foosaner Art Museum, Melbourne, FL
September 5, 2013 – May 11, 2014. SUArt Galleries, Syracuse NY
Pressing Print: Universal Limited Art Editions 2000–2010
February 2 – March 18, 2012, SUArt Galleries, Syracuse NY
May 17 – August 4, 2013, Foosaner Art Museum, Melbourne, FL
September 13 – December 8, 2013, Thorne – Sagendorph Art Gallery, Keene State College Keene, NH
The Illustrator’s Journey: John Thompson and Roger DeMuth
August 15 – September 29, 2011, Palitz Gallery, New York, NY
AMOS KENNEDY PRINTS!
February 16 – April 2, 2011, Community Folk Art Center, Syracuse, NY
Winslow Homer and the American Pictorial Press
September 5 – November 30, 2014, Museum of the South West, Midland, TX
March 1 – May 7, 2014, Daura Gallery, Lynchburg College, Lynchburg, VA
September 12, 2013 – January 5, 2014, Fort Smith Regional Art Museum, Fort Smith, AZ
November 9 – December 6, 2009, Palitz Gallery, New York, NY
August 18 – October 11, 2009, SUArt Galleries, Syracuse NY
Women at Work: Members of the Art Students League of New York
May 1 – August 13, 2007, SUArt Galleries, Syracuse NY
David Jon Kassan: Recent Paintings
May – August 2005, Palitz Gallery, New York, NY
Large and In Charge Steamroller Prints
2001, Foster Gallery, Louisiana State University, Baton Rouge, LA
ACADEMIC/FACILITATED EXHIBITIONS & INSTALLATIONS
2024
2024 BFA Senior Exhibition, Nancy Cantor Warehouse Galleries, May 3–9, 2024. Syracuse, NY. Exhibition facilitator.
Unsettled, Unbridled, Unbound: Syracuse University MFA Exhibition 2024. Nancy Cantor Warehouse Galleries, March 22–30, April 5–13, April 19-28, 2024. Syracuse, NY. Exhibition facilitator.
2023
The Border is a Weapon, curated by Gil Rocha, MUSe Lab gallery, September 22 – Nov 12, 2023.
Nancy Cantor Warehouse/La Casita Cultural Center, Syracuse, NY. Exhibition facilitator.
This Is Syracuse: Windows Into the Community, curated by students in MUS 750 Advanced Problems in Museum Studies. MUSe Lab gallery, April 15–30, 2023. Nancy Cantor Warehouse, Syracuse, NY. Exhibition facilitator.
Footwear by School of Design Faculty, Sue and Leon Genet Gallery, January 2023. Nancy Cantor Warehouse, Syracuse, NY. Exhibition facilitator.
Community Design Studio/EDI annual presentation, Sue and Leon Genet Gallery, January 2023. Nancy Cantor Warehouse, Syracuse, NY. Exhibition facilitator.
Untitled Sustainable Design Research Exhibition, Sue and Leon Genet Gallery, April 2023. Nancy Cantor Warehouse, Syracuse, NY. Exhibition facilitator.
2022
New Design Faculty Showcase, Sue and Leon Genet Gallery, 2022.
Nancy Cantor Warehouse, Syracuse, NY. Exhibition facilitator.
2021
PolliNation: Designing a Beehive Campus, Sue and Leon Genet Gallery, 2021. Nancy Cantor Warehouse, Syracuse, NY. Exhibition facilitator.
Action/Reaction: Design Reacts to a Changing World, Industrial and Interactive Design alumni exhibition, Sue and Leon Genet Gallery, 2021. Nancy Cantor Warehouse, Syracuse, NY. Exhibition facilitator.
2020
Created by Veterans, National Veteran’s Resource Center Gallery, 2020. Co-curator. Syracuse, NY.
Books Unbound: How We Read the Artist’s Book, Syracuse University Art Galleries, 2020 (postponed due to COVID-19). Developed in the Fall 2019 course MUS 703: Fine Arts Curatorship. Syracuse, NY.
2019
Destination Outdoors: Industrial and Interactive Design alumni exhibition. Sue and Leon Genet Gallery, 2019. Nancy Cantor Warehouse, Syracuse, NY.
2018
Americans Who Tell the Truth: Robert Shetterly. Panaschi Lounge, Syracuse University, 2018. Graduate Program in Museum Studies, in collaboration with the Tanner Lecture Series, the Maxwell School of Citizenship, and University Lectures.Syracuse, NY.
Syracuse University Ten Eyke Boathouse, 2018. Developed in MUS 602 Graphics and Communications in collaboration with Dr. Emily Stokes-Rees, MUS 506 Ethnographic Curatorship. Liverpool, NY.
Design on Track: Faculty Research from the School of Design, 2018. Sue and Leon Genet Gallery, Nancy Cantor Warehouse, Syracuse, NY.
CRISIS: Visualizing Conflict, Syracuse University Art Galleries, 2018. Developed in the Fall 2017 course MUS 703: Fine Arts Curatorship. Syracuse, NY.
2017
Just Our Type, Sue and Leon Genet Gallery, 2017. Nancy Cantor Warehouse, Syracuse, NY
HINDSIGHT: Four Alumni from the College of Visual & Performing Arts. Syracuse University Art Galleries, 2017. Developed in the Fall 2016 course MUS 703: Advanced Curatorship. Syracuse, NY.
2015
MFA 2016: None the Wiser, Syracuse University Art Galleries, April 7 – May 15, 2015. College of Visual and Performing Arts annual thesis exhibition. Syracuse, NY.
Neither Confirmed nor Denied: MFA 2015, Syracuse University Art Galleries, April 2 – May 10, 2015. College of Visual and Performing Arts annual thesis exhibition. Syracuse, NY.
Carving Through Borders: Discrimination, Immigration and Citizenship, 2014. In collaboration with the SU Printmaking Workshop and the Program for the Advancement of Research on Conflict and Collaboration (PARCC). Syracuse, NY.
The eNth Degree: MFA 2013, Syracuse University Art Galleries, April 4 – May 12, 2013. College of Visual and Performing Arts annual thesis exhibition. Syracuse, NY.
Neil Welliver Prints, Syracuse University Art Galleries, January 24 – March 17, 2013. Syracuse, NY.
MFA 2012, Syracuse University Art Galleries, April 5 – May 13, 2012. College of Visual and Performing Arts annual thesis exhibition. Syracuse, NY.
MFA 2011, Syracuse University Art Galleries, April 7 – May 15, 2011. College of Visual and Performing Arts annual thesis exhibition. Syracuse, NY.
History of the Syracuse University Art Collection, Syracuse University Art Galleries, September 7 – October 24, 2010. Syracuse, NY.
MFA 2010, Syracuse University Art Galleries, April 01 – May 16, 2010. College of Visual and Performing Arts annual thesis exhibition. Syracuse, NY.
MFA 2008, Syracuse University Art Galleries, April 08 – May 11, 2008. College of Visual and Performing Arts annual thesis exhibition. Syracuse, NY.
Icarus and Stravinsky: Color Prints by Swietlan Nicholas Kraczyna, SyracuseUniversity Art Galleries, August 21- October 14, 2007. Syracuse, NY.
ISDP thesis exhibition, SyracuseUniversity Art Galleries, July 30-August 9, 2007. College of Visual and Performing Arts illustration thesis exhibition. Syracuse, NY.
MFA 2007, Syracuse University Art Galleries, 2007. College of Visual and Performing Arts annual thesis exhibition. Syracuse, NY.
SCHOLARLY PUBLICATIONS
Books & Chapters:
Louisa Chase Prints: A Catalogue Raisonné.
(in progress)
A Guide to Virtual and Online Exhibitions [working title].
The Preparator’s Handbook: A Practical Guide for the Preparation and Installation of Collection Objects. New York: Rowman & Littlefield, 2022.
Peer Reviewed Journal Articles:
(under review)
“Rediscovering Rockwell: The Drawings that Shaped the American Storyteller”
“The Pedagogy of Process,” Journal of the Print World. vol. 41, #2 (April 2018) pp. 14, 17. Print.
“Defenders of the Floating World”, Art In Print, Volume 4 Number 4, February 2014. 30-32. Print. http://artinprint.org/article/defenders-of-the-floating-world/#more-4682
Exhibition Catalogs:
Saluti. Painting in Clay: The Fired Landscapes of Margie Hughto. Syracuse University Art Galleries, 2015.
Saluti. Print Making Revolution: Mexican Prints from the Taller de Grafica Popular. Syracuse University Art Galleries, 2014.
Saluti. Pressing Print: Universal Limited Art Editions 2000–2010. Syracuse University Art Galleries, 2012.
Curatorial Essays:
“Louisa Chase Prints”in Louisa Chase: What Lies Beneath, Curated by Christine Carter, Leepa-Rattner Museum of Art, St. Petersburg College, 2020. St Petersburg, FL.
“Now, here” in Force Field: Louisa Chase. Curated by Ted Holland, Hirschl and Adler Modern, 2019. New York City, NY.
“Printmaking: The Medium of Change,” Transformación: Posters from Taller Arte Del Nuevo Amanecer. Community Folk Art Center, 2018. Syracuse, NY.
“The Impression of Memory: Printmaking and the Process of Shared Experience” in Trigger Points. Co-curated with Heather Galbraith, Ph.D. Wellington, New Zealand: Massey University, Aotearoa New Zealand, 2016. pp. 14-21. Print.
REFEREED CONFERENCE PAPERS/PRESENTATIONS
2025
‘Printer’s Marks and Chops database reference,’ presented in the panel The Print Collection, PuertoGrabando 2025, Southern Graphics Council International Annual Conference: April 2-5, 2025, San Juan, Puerto Rico. Moderated by Beth Howe, Emily Carr University of Art and Design, Vancouver, British Columbia, CA.
2024
[Re]Defining Virtual Stewardship: A Matrix for Online Exhibition Strategy and Practice. Association for Critical Heritage Studies [ACHS] biennial international conference, June 3—6, Galway, Ireland.
2022
We Don’t Know What Collections Cost: Let’s Find Out. American Association for State and Local History [AASLH] annual conference, September 14, Buffalo, NY. Co-presented with Erin Richardson, Ph.D., Frank & Glory, Cooperstown, NY, and John Garrison Marks, American Association for State and Local History, Nashville, TN.
Calculating the Cost of Museum Collections. New England Museum Association Annual Conference, November 2—4, Springfield, MA. Co-presented with Erin Richardson, Ph.D., Frank & Glory, Cooperstown, NY.
2019
Redefining Universal Design for Museums in the 21st Century: Pedagogy and Practice. ICME session, “Diversity and Universality.” International Council of Museums (ICOM) Conference, Kyoto, Japan.
Extraordinary Standards: Case Studies of Proactive and Reactive Non-traditional Museum Studies Curriculum. Association of Academic Museums and Galleries National Conference, June 2019, Minneapolis, MN.
2018
Natural enemies or natural allies? A Test Case for Archivist-Curator-Collaboration. Co-presented with Sebastian Modrow, Ph.D.MARAC (Mid Atlantic Regional Archivists Conference). Spring 2018 Conference, Hershey, PA.
Training Tomorrow’s Leaders: Opportunities for Collaboration and Innovation in Higher Education. Museum Association of New York Annual Conference. April 8–10. 2018, Rochester, NY
Rediscovering Rockwell: Finding the Lost Drawings that Shaped the Preeminent American Illustrator. Popular Culture Association National Conference. March 28–31, 2018, Indianapolis, IN
2017
Politics on Paper: Exploring the Marriage of Art, Activism and Printmaking, Popular Culture Association/American Culture Association Annual Conference: San Diego, CA
CONFERENCE PRESENTATIONS/PANELS
2024
Voicing Value: Building Financial Sustainability, Museum Association of New York Annual Conference. Panel presentation. April 6-9, 2024, Albany, NY.
2021
Deaccessioning After 2020. Two-day symposium presented by the Graduate Program in Museum Studies and College of Law, Syracuse University. Co-organizer, moderator, presenter. Syracuse, NY. Online.
‘Museum Pedagogy in Time if Pandemic,’ Third Baltic Cultural Forum, February 25, 2021. Ministry of Culture for the Russian Federation and the Council for Digital Development of Museums, ICOM Russia. Svetlogorsk, Kaliningrad Oblast, Russia. Online.
2020
‘The Future of Museum Studies Programs,’ Then Now Next: What does the Future of Museums Look Like? Co-presented with Gretchen Sorin, Cooperstown Graduate Program in Museum Studies, SUNY Oneonta; Greg Stevens, Master of Arts in Museum Professions Program, Seton Hall University. Greater Hudson Heritage Network Annual Conference, Elmsford, NY. Online.
2016
Building Traveling Exhibitions, co-presented with Emily K. Dittman. CADC/CMGD Annual Meeting, SUNY FIT, New York, NY.
Building Traveling Exhibitions, co-presented with Emily K. Dittman. Museum Association of New York, 2015 Annual Conference, Corning, NY.
2014
Exhibition Development: Keeping it In-House and Out the Door. Museum Association of New York. Lecture, 2014 Annual Conference, Albany, NY.
INVITED LECTURES
Winslow Homer and the Pictorial Press, March 21, 2022. Curatorial lecture for A View from the Shore: Winslow Homer’s Impressions of the Coast. The Mitchell Gallery, St John’s College, Annapolis, MD. Online.
Keynote: Louisa Chase Prints, March 7, 2020.WOMAN-MADE Printmaking Festival, Leepa-Rattner Museum of Art, St. Petersburg College. St. Petersburg, FL.
Kamikaze Curiosity: Louisa Chase Prints. Panel discussion with Terrie Sultan, Director, Parrish Art Museum, and Ted Holland, Hirschl & Adler Modern. October 23, 2019. Syracuse University Lubin House, New York City, NY.
Ukiyo-e to Shin Hanga and Beyond: The Japanese Woodblock Print. April 11, 2019. Sordoni Art Museum, Wilkes University, Wilkes-Barre, PA.
Politics on Paper: Politics on Paper: Exploring the Marriage of Art, Activism and Printmaking. February 7, 2019. Hoyt Art Center, New Castle, PA.
Audubon’s Birds of America: Prints of Conservation, Commerce, Activism? December 4, 2018. Dowd Fine Arts Center, Art and Art History Department, SUNY Cortland, Cortland, NY.
Goudy at Syracuse: A Legacy by Design. February 7, 2018. Arts and Crafts Society of Central New York. Special Collections Research Center, Syracuse University Libraries, Syracuse, NY.
Politics on Paper: Politics on Paper: Exploring the Marriage of Art, Activism and Printmaking. October 13, 2017. Tyler Art Gallery, SUNY Oswego. Oswego, NY.
Keynote: The Impression of Memory: Printmaking and The Process of Shared Experience, Triggering Memory Symposium, May 19, 2016. Syracuse University Lubin House, New York City, NY.
Rembrandt: The Consummate Etcher. May 1, 2016. Arkell Museum at Canajoharie, Canajoharie, NY
Ukiyo-e to Shin Hanga and Beyond: The Japanese Woodblock Print. March 27, 2015. Foosaner Art Museum, Melbourne, FL.
View from the Shore: Winslow Homer’s Impressions of the Coast. June 22, 2014. Arkell Museum at Canajoharie, Canojoharie, NY.
Winslow Homer and the Pictorial Press, July 2010. Onondaga Historical Association, Syracuse, NY.
GRANTS & SUPPORT
2024 ($2950.00)
CNY Humanities Corridor Grant, Beyond the Basics of DEIB: From Conversations to Sustainable Change in Museums and Archives, Co-PI with Dr. Juilee Decker, Program Director, Museum Studies Co-Director, Cultural Heritage Imaging Lab, Museum Studies, Rochester Institute of Technology; Elizabeth Call, University Archivist, RIT Archives, Rochester Institute of Technology; Dr. Emily Stokes-Rees, Director, School of Design Iris Magidson Endowed Chair of Design Leadership & Professor, Graduate Program in Museum Studies, College of Visual and Performing Arts, Syracuse University
2023 ($27,990.10)
Fisher-Price Inc., View-Master Archive project, Spring Theory/Mattel.
2023 ($2400.00)
School of Design Research Dissemination Grant
2023 ($25,000.00)
Frankenthaler Print Initiative, Co-Sponsor with Syracuse University Art Museum.
2022 ($1917.08)
CNY Humanities Corridor Project Planning Grant: Measuring the Cost of Museum Collections (collaborative research)
2020 ($1000.00)
Syracuse Humanities Center Symposium Co-Sponsorship: Deaccessioning After 2020
2020 ($500.00)
Greater Hudson Heritage Network Collections Care grant, Co-PI
(collections project, Stone Quarry Hill Art Park, Cazenovia, NY.)
2020 ($2000.00)
SOURCE Research Grant, Syracuse University: Louisa Chase Catalog Raisonné (student research assistant stipend)
2019 ($2400.00)
School of Design Research Dissemination Grant
2019 ($2500.00)
Syracuse Symposium Grant: Designing Stories of Abolition and Coalition: Illuminating History in Central New York (public lecture)
2017 ($1250.00)
Syracuse Symposium Grant: You Are Here: Expanding the Concept of Place (exhibition project)
2016 ($1500.00)
CNY Humanities Corridor Project Planning Grant: Regional Academic Collections Collaborative Meeting
2015 ($2000.00)
Syracuse Symposium Grant: The Rosenquist Network: Connections and Collaborations in the American Print Workshop (public lecture)
2013 ($2000.00) IFPDA Foundation Grant: Print Making Revolution: Mexican Prints and the Taller de Grafica Popular (exhibition project)
EXHIBITION DESIGN
The Rona and Martin Schneider Collection of European and American Prints in the Syracuse University Art Collection. Syracuse University Art Galleries, 2018. 134 pp, Syracuse, NY. ISBN: 978-0-9836525-8-8. Exhibition catalog.
10+ Years of Lake Effect Editions. College of Visual and Performing Arts, 2017. Syracuse, NY. Catalog design, 104pp.
About Prints: The Legacy of Stanley William Hayter and Atelier 17. Syracuse University Art Galleries, 2016. Catalog design. 140pp, ISBN 978-0-9836525-5-7
James Rosenquist: Illustrious Works on Paper, Illuminating Paintings. Syracuse University Art Galleries, 2015. Co-organized with Sarah Bancroft. Exhibition design.
Painting in Clay: The Fired Landscapes of Margie Hughto. Syracuse University Art Galleries, 2015. Catalog and exhibition design. 128pp, ISBN 978-0-9836525-3-3
The Way Out: MFA 2014, College of Visual and Performing Arts, Syracuse University, 2014. Catalog and exhibition design. 60pp.
Karl Schrag: Memories and Premonitions, Syracuse University Art Galleries, 2012. Catalog and exhibition design. 128pp, ISBN 978-0-9836525-1-9, 978-0-9836525-2-6
Reconnecting East and West: Islamic Ornaments in 19th Century Works, 2011. Dahesh Museum of Art, Dubai Community Theatre and Arts Centre, Dubai, United Arab Emirates. Exhibition design.
Drawn to Paint: The Art of Jerome Witkin, Syracuse University Art Galleries, 2011. Catalog and exhibition design. 136pp, ISBN 978-0-9836525-0-2
Winslow Homer’s Empire State: Houghton Farm and Beyond, Syracuse University Art Galleries, 2009. Catalog and exhibition design. 84pp, ISBN 0815681798, 978-0815681793
Rodger Mack at the Art Park, Stone Quarry Hill Art Park, 2008. Cazenovia, NY. Curated by Dr. Teddy Aiken. Exhibition catalog.
Michelangelo: The Man and the Myth, Syracuse University Art Galleries, 2008. Catalog and exhibition design. 126pp, ISBN 0812220544, 978-0812220544
PROFESSIONAL ORGANIZATIONS/AFFILIATIONS
College Art Association [CAA]
Alliance of American Museums [AAM]
Association of Academic Museums and Galleries [AAMG]
Association of Critical Heritage Studies [ACHS]
Association of Print Scholars [APS]
Catalogue Raisonné Scholars Association [CRSA]
Preparation, Art Handling, Collections Care Information Network [PACCIN]
The Museum Association of New York [MANY]
PAST TEACHING EXPERIENCE
2009–2017
Adjunct Faculty, Graduate Program in Museum Studies, Syracuse University.
Courses taught:
Advanced Curatorship (MUS 703)
Museum Preparation and Installation (MUS 601)
Introduction to Museum Studies (MUS 503)
Printmaking History and Processes (MUS 600/400)
2002–2009
Adjunct Faculty, Department of Foundation, School of Art, Syracuse University.
Courses taught:
Observational Drawing (FND 113, 115)
Figure Drawing (FND 114)
Printmaking Processes (FND 116)
2002–2003
Adjunct Faculty, Studio Arts Department. Cazenovia College, Cazenovia, NY.
Courses taught:
Introduction to Printmaking (SA 231)
2-D Design (SA 131)
2000 – 2002
Adjunct Faculty, School of Art, Louisiana State University, Baton Rouge, LA.
Courses taught:
Introduction to Relief Printmaking (2352)
Introduction to Digital Art (2050)
Introduction to Intaglio (1361)
EXHIBITIONS (ARTIST)
Thirty Years of LSU Printmaking, 2012. Odgen Museum of Southern Art, New Orleans, LA
Challenges in Contemporary Art, 2006. SUArt Galleries, Syracuse, NY
In the Game, 2005. South Shore Art Center, Cohasset MA
Cazenovia College Faculty Exhibition, 2003. Cazenovia College, Cazenovia NY
Quiet Water: An Exhibition of Louisiana Printmakers, 2002. Delgado Community College, New Orleans Louisiana. Juror: Phyllis McGibbon, Professor of Art, Wellesley College
Pressed and Pulled X, 2001. Georgia College and State University, Milledgeville, GA
Juror: Carmen Colangelo, Director, Lamar Dodd School of Art
Beecher Center for Technology in the Arts Digital Art Competition, 2001. Butler Institute of American Art
Juried *three works selected
Lagniappe IV National Print Portfolio, 2001. Louisiana State University Printworkshop
Juror: Anne Hamilton
Fourteenth Annual Small Print Exhibition, 2000. University of Wisconsin, Parkside
Juror: Mark Pascale, Associate Curator of Prints and drawings, Art Institute of Chicago
Thirteenth Annual Small Print Exhibition, 1999. University of Wisconsin, Parkside
Juror: Beauvais Lyons, Professor of Art, University of Tennessee, Knoxville
The First National Collegiate Handmade Paper Art Show, Columbia College Chicago Center for Book and Paper Arts (September-November, 1999); Robert C. Williams American Museum of Papermaking, Atlanta (December 1999 – February 2000); Upton Gallery, Buffalo State College (April – June 2000); Corcoran Gallery of Art, Washington, DC. Jurors: Jane M. Farmer, JoAnn Moser
SOLO EXHIBITIONS
Andrew Saluti Prints, 2003. Storch Gallery, Syracuse Stage, Syracuse NY
Andrew Saluti Prints, 2003. Manlius Pebble Hill School, Dewitt, NY
Human heir: Recent Printworks, 2002. Foster Hall Gallery, Baton Rouge, LA
CITATIONS
Vindigni, Giovanni. (2023). ‘Adaptive and Re-adaptive Pedagogies in Higher Education: A Comparative, Longitudinal Study of Their Impact on Professional Competence Development across Diverse Curricula.’ European Journal of Theoretical and Applied Sciences. 1. 718-743. 10.59324/ejtas.2023.1(4).66.
Schlitt, Melinda. The Boundaries Imagined: Louisa Chase Paintings, Drawings, Prints 1975–2003, exhibition catalog. Pennsylvania: The Trout Gallery, Dickinson College. 5.
Perry, R. “Etched into Memory: Regina Lichter-Liron’s Album 1939-1945,” 2023. MIEJSCE (Warsaw), No. 9. http://miejsce.asp.waw.pl/en/etched-into-memory-regina-lichter-lirons-holocaust-album-1939-1945/
Kowalski, Jesse. Plunkett, Stephanie. Norman Rockwell: Drawings, 1911–1976. New York: Abbeville Press, 2022. 41.
Tan, Leah Jolene Mei Yee. Towards a Postcolonial Aesthetic: Art, Politics, and the Work of Literature. Doctoral thesis, Nanyang Technological University, Singapore. 2021. 65. https://hdl.handle.net/10356/152347
Schockmel, Eric. Tune Into the Future, Hugo Gernsback Documentary. Special Thanks. Film Fund Luxembourg, 2020. Credits.
PRESS
Vora, Shivani. ‘Taking the Museum Experience Outdoors,’ The New York Times, May 1, 2022, Section F, p18. https://www.nytimes.com/2022/04/27/arts/design/outdoor-museum-experiences.html
de Graffenreid, Ellen. Interview. ‘Curating the Bigger Picture: Evan Starling-Davis Approaches Literacy from Multiple Entry Points.’ Syracuse University News, April 5, 2021. https://news.syr.edu/blog/2021/04/05/evan-starling-davis-approaches-literacy-from-multiple-entry-points. Accessed April 29, 2021.
Snell, Mackenzie. Interview. ‘Six months after Everson’s deaccession, here’s what the museum has done.’ The News House, March 2021. https://www.thenewshouse.com/entertainment/arts-and-culture/six-months-after-eversons-deaccession-heres-what-the-museum-has-done/.
Accessed April 29, 2021.
Akuffo, Rachelle. Interview. ‘Professor Andrew Saluti on COVID’s impact on museums.’ Global Business, CGTN America. Washington, DC., March 2021.
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